Her door to escapism opened for lonesome, fractured listeners everywhere, who dove headfirst into the cottagecore sound grove, and relished in Swift's unexpected pivot towards barer-boned, folk-styled songwriting with electro-adjacent undertones whispered throughout. But once the title track's idyllic and endearing comedown is over, and the atmospheric funeral march for past woes of "The Archer" makes way for new beginnings, Lover has very few high points after its fifth track. However, evermore is still occasionally upbeat with an ethereal glow, with cooing strings that glint on "willow" and synthesizers that gleam on "gold rush." These were the de facto anthems for young listeners especially, clutching MP3 players to the chest like rosaries as we projected onto Taylor's portraits of then-mythical teen love. 2023 Oscars predictions: See who will win at the 95th Academy Awards. But reputation is much more than an extended diss track; It's also a not-so-private ceremony for a new, hush-hush love affair (that years later blossoms into a now-rumored engagement to partner Joe Alwyn). But before expanding on her honeymoon phase, we're treated to the tour-de-force track "Cruel Summer" (not a Bananarama cover), a buzzer-beating, angst-wielding anthem that's among the greatest pop songs her auteur has ever crafted. Let's be clear: There are no bad Taylor Swift albums. Some stories are symphonic semi-pop anthems ("Enchanted," "Haunted"), while others are country ballads dressed with electric guitars, as seen in "Dear John"'s interrogation of a 32-year-old lover's sway on a still-teen girl ("Don't you think 19's too young to be played by your dark, twisted games?"). He's right "Folklore" further cements the fact that Swift is in a league all her own and cannot be placed in a stylistic box when it comes to her music. I'm using weekly Spotify Charts because I hate Billboard 2. What makes Evermore an essential addition to her catalog is her willingness to tell others stories with the same insight and compassion with which shes always told her own. Report RESET RANKING RESET TEMPLATE SAVE/DOWNLOAD TIER LIST Template by lucy Swifts most recent release is a glittering return to pure-pop music. Pam Grier reflects on her most iconic roles, from Coffy to Jackie Brown. Rather, it recalls the key moments of a love gone awry in arresting detail "I'll get older, but your lovers stay my age" wasting not a single word in confronting a past partner many years her senior (unanimously believed to be Jake Gyllenhaal) nearly 10 years after the fact. Taylor Swift Drops Trippy Lavender Haze Music Video, Taylor Swift and Jack Antonoffs 20 Best Collaborations. And, yes, her songwriting here is not quite fully actualized (as hindsight allows us to see now), but that doesn't diminish these songs' lasting splendor. It also boasts some of Swifts best ever lyricism for example its title track, where Swift vividly describes the wedding of an ex-lover: I sneak in and see your friends / And her snotty little family, all dressed in pastel / And she is yelling at a bridesmaid / Somewhere back inside a room / Wearing a gown shaped like a pastry. It marks a shift from the retro-minded pop-rock of 1989 toward a harder, more urban aesthetic, and Swift wears the stiff, clattering beats of songs like Ready for It? like body armor. I don't love the way the writer described some of the albums (saying Taylor sounds like a stay at home mom? But "Folklore" has a laid-back vibe that reflects the spontaneity of how this album was created. The album's comedown is a moment of quiet reflection carried by a piano's lone lullaby, when the festivities are over, the partygoers are gone, and all that's left is a lover for the long haul ("I want your midnights / But I'll be cleaning up bottles with you on New Year's Day"). Then there's the true-to-life nostalgic musings of romantic naivety at fifteen and unrequited love looming on the high school bleachers. Like the "Taylor's Version" before it, 2021's rendition of Red lassos fans' near-decade old affection and nostalgia for the songs and herds them into an encore of adoration. Its a dazzling, surprising album, brimming with career-best moments, and heralded a brave new direction for the pop star. "Fearless" outranks "Taylor Swift" as it has more standout songs and has a cohesive sound that distinctly country-pop. It saw Swift push back at a narrative that saw her portrayed as vengeful and bitter, an image that had been thrust upon her by the media and exacerbated by her very public, very long-running beef with Kanye West (first started when he infamously interrupted Taylor Swifts acceptance speech at the VMAs, and regularly reignited by the Kardashian-West clan). Although "Folklore" may not have the mainstream appeal of her previous albums, it's an album longtime fans will appreciate as it highlights her stellar songwriting and pays homage to her acoustic roots. Perfectly Fine." But Evermore finds Swift digging further into her explorations of narrative voice and shifting points of view, taking bigger risks in trying to discover how the newfound breadth of her songwriting could possibly reconcile with the arc of her career. The gist: In each "battle," two Taylor Swift songs (from the same album or not) are pitted against each other for your judgment. In the 16 years since the single Tim McGraw launched Swift to country stardom, shes jettisoned the genres ill-fitting signifiers and overcome the limitations of her early recordingsimprovements captured in her Taylors Version re-recordings as a powerful statement of artistic agency. It's her only album with skip-every-time songs (why on earth would you force a collab between Future and Ed Sheeran? He also noted that this album began to show just how developed Swift's "potential for fury" was and he's right "Picture To Burn" is sassy and confidently filled with anger: "So watch me strike a match on all my wasted time / As far as I'm concerned you're just another picture to burn.". So, the savant of promotional whimsy announced an upcoming album in August, cloaked her website in a cryptic countdown reading "Meet me at midnight," posted the premise of "the stories of 13 sleepless nights scattered throughout my life," and ceremoniously revealed the track titles from an antique bingo machine in a TikTok series. And a follow-up to 1989 would always have big shoes to fill but Reputation lacked the stone-cold smashers Swift has proven time and time again shes capable of. The distorted vocal effects and shifts in dynamics on I Knew You Were Trouble heighten the sense of frustration that drives the song, and the driving rhythm section on Holy Ground reflects Swifts reminiscence of a lover who took off faster than a green light, go. Not all of the songs here are so keenly observedState of Grace and I Almost Do lack the specificity thats one of Swifts songwriting trademarks, while the title track underwhelms with its train of pedestrian similes and metaphorsbut if Reds highlights were career-best work for Swift at the time. "Evermore" takes us deeper into the mystical music-writing forest established by "Folklore," but like many sequels, it doesn't resonate as powerfully as the original. Speak Now. The record's tales unfold into imagined personal histories, with what Swift calls the "Teenage Love Triangle" songs (suspected to be "Cardigan," "August," and "Betty") painting three vivid portraits of an interwoven affair at different points in time. Although the first glimpses we heard from it (the musical theatre-style Me! and the stomping You Need to Calm Down) didnt do the record justice, listen to Lover in full and youll find moments of pure joy. The catalyst was lead single "Tim McGraw," but this ticket to the country radio airwaves turned out to be a red herring with the advent of other ironclad, infinitely repeatable songs that remain fan favorites, even in lieu of our now excess of options. Having no taste when it comes to state of Grace?) Filled with rootin tootin tunes like Tim McGraw, Our Song and Teardrops on My Guitar (largely considered Swifts breakout song) that stormed the Billboard Hot Country Songs chart, it earned a teenage Taylor support slots on tour with Brad Paisley, Rascal Flatts and Faith Hill. What's likely the most famous track on this album, "Teardrops on My Guitar" is a textbook example of a popular Swift trope: a relatable song about a boy punctuated with clever lyrics. The Taylor Swift's Albums Tier List below is created by community voting and is the cumulative average rankings from 131 submitted tier lists. Rather, reputation is often compelling in its lavish catharsis, best seen on tracks "Gorgeous," "King of My Heart," and "Getaway Car" (which has co-writer/producer Jack Antonoff's handprints all over its Bleachers-like chorus builds). Yet between its plot-point breadcrumbs is an inherent relatability embedded in Taylor's never-better introspection. The singers first four albums barely scan as country music in a meaningful way, instead embracing her preternatural gifts for pop conventions, and her output has gotten stronger the more openly shes embraced those skills. Despite the pandemic, 2020 was a big year for the artist, who released two surprise albums and secured her first Album of the Year nomination since her 2015 record, 1989. Taylor Swift currently has 10 albums, with 2022's "Midnights" being her most recent release. True, this album successfully acted as a reminder that Swift is a powerhouse musician who shouldnt be messed with. 1989 is a masterclass in how to make a timeless pop record. So reads Taylor Swift's social media announcement that, just two months after gracing fans with her re-recording of Fearless, she was giving the same treatment to 2012's Red with all 30 songs originally intended for the record. In the 2017 article, Jenkins also noted that this album features hip-hop influences, something Swift hasn't really done before. Her detour is immediately apparent with a simple piano opening on "the 1," as piano chords echo a slight reverb off a guitar's strum-claps, while melancholy ballad "exile" (feat. She's an artist defined by eras (as is the name of her heavily anticipated upcoming tour) a Reputation era for self-defense, a Lover era for romantic solace which her adoring fans latch onto and assign to their own life stages with fervor. 1989. rep. Red. Drag and drop items from the bottom and put them on your desired tier. There are, of course, a handful of golden tunes (Dancing with Our Hands Tied, Call It What You Want, Delicate). "Red" and "Lover" remain in the middle of the pack. Overall, it's charming and mostly tame, but then again, she's happy. The finished product is, of course, sterling. Standouts tracks on this album also include "Fearless," an easy listen that captures the sweet feelings surrounding new romances; "Fifteen," a young love story that unfolds over several verses; "White Horse," a slow tune featuring lyrics about heartbreak that cut deep; "Love Story," a romantic tale with a fairytale edge; and "The Best Day," an emotional song that is filled with sweet childhood memories. "Swift's usual approach to dabbling in new genres or sounds is to go balls-to-the-wall, but on 'evermore,' she's just as good at curating these more detailed production flourishes, all with the same contouring and meticulousness as she does with her best lyrics," she wrote. Taylor may be wise beyond her years, but that doesn't spare her from petty rage, especially on "Better Than Revenge" (which is essentially her "Misery Business"), scorning another girl for "the things that she does on the mattress" while likening their shared love interest to a toy on the playground in the next breath. Reputation is, without a doubt, Taylor's most polarizing work to date. "Champagne Problems" serves as a painful tale of a failed relationship. And, of course, the other notable solo feat is "Our Song," marrying a whimsical fiddle with a full-circle story of a good girl's heart won through small rebellions and romantic gestures: whispering on the phone, sneaking kisses through screen doors. First emerging as a country-crossover artist, shes since embraced glossy pure pop and indie-folk; but while her sound may have changed, Swifts brilliantly honest lyricism and songwriting talent has remained a keystone in her tunes. You could have at least changed RED/FEARLESS to Taylors version. The album has been described as escapist, cottagecore-inspired, and was written and recorded during the COVID-19 pandemic. While tracks like Cardigan and Invisible Strings hinge on protracted metaphors, Mad Woman and Peace are blunt and plainspoken. Shes described it as a sister record to the aforementioned Folklore; where that record allowed Swift to completely reinvent her sound, coupling her trademark hooks and vibrant storytelling with indie-folk instrumentals, Evermore exudes a new sense of confidence. These tales spin out like spools of fine gold, delicate in their delivery, eschewing catchy hooks to instead relish in simplicity. Swifts cottage-core diptych felt innovative in how they rebuilt Swifts sound from the ground up, but despite its own idiosyncratic delights, Midnights ultimately feels too indebted to her past efforts to truly push her forward. The album finds Swift living up to all of the praise she earned for her songwriting earlier in career. If the black-and-white cover art didn't let you know this one would be different, the first song she released off the album, "Look What You Made Me Do," says it all. 'Red' is filled with top notch tunes: the brilliantly snarky 'We Are Never Ever Getting Back Together' (Swift's first ever Billboard 100 Number One) and fizzing '22' are stone-cold smashers. In short: 1989 is Taylor Swifts masterpiece. Swift has proven herself capable of laughing at herself, thereby defusing the criticisms often levied at her, but with Reputation she created a larger-than-life caricature of the petty, vindictive snake shes been made out to be. Entertainment Weekly may receive compensation for some links to products and services on this website. folklore. And the majority of Lover proves her path to better things, being an airy, whipped topping "love letter to love," both for the self and for a partner. And as critic Chris Willman wrote for The Hollywood Reporter in 2010, "Speak Now" saw Swift's music style mature while still keeping elements of her youth that her fans so adored in her previous two albums. Fearless in its original 2008 form was adolescent in every way: a gentle voice singing fantasies of Juliet finding her Romeo, a boy on a white horse beckoning his hardened princess. ", "Ivy," the 10th track on "Evermore," alludes to an illicit affair, which is the name of track 10 on "Folklore.". Written in her freshman year of high school, it positioned her as a country-crossover hopeful ready for mainstream success. In every instance, whats noteworthy is Swifts precision in communicating her exact intent. ", Big Machine/Republic Records/Republic Records/Big Machine. There's no question her most recent two albums are related, as "Evermore" has a similar sound and features nods to "Folklore. Your email address will not be published. "This ain't for the best / My reputation's never been worse, so / You must like me for me," is a perfect thesis for the album as a whole on "Delicate," one of the LP's highpoints for its light-as-air ambiance, late night whispers coasting on a swirling current of synth waves. Only vault songs are included. Haim collaboration No Body, No Crime is a full-blown country revenge song, while Long Story Short and Gold Rush fuse Swifts new sound with some 1984-era gloss. She also notably upgrades the production, as a Professor of Commercial Music explains to EW, with subtle shifts towards a fuller-bodied musical accompaniment (no longer a one-dimensional country backing), re-layering instruments along with slight switch-ups in tempo. Love for a song about the worst parts of yourself grows on your heart like a burn on the skin. Songs like Love Story, You Belong with Me and Fifteen, filled with heart-on-sleeve lyrics and earworm hooks, remain among her best. Many artists lucky enough to enjoy their 15 minutes of fame peak at the onset, delivering one or two tokens of pop culture product before a dwindling stream of less impressive ventures. "Should've Said No" carries the same torch with a steadier hand, being one of the three songs she penned completely on her own. Taylor Swift's Track 5s, Ranked 9. Even so, there are simply too many placeholders on Lover's 18-track roster for it to fare well against her discography's worthier, meatier contenders. First released in 2008, its original release won the Grammy for Album of the Year, and thirteen years later in 2021, Fearless (Taylors Version) became the first of Swifts re-recorded albums to drop. Here are the 40 biggest Taylor Swift songs, based on actual performance on the weekly Billboard Hot 100 (through the chart dated December 17, 2022). Teaming up with The Nationals Aaron Dessner (who worked on 11 of the 16 songs) and long-time collaborator Jack Antonoff, its a stunning collection of modern folk songs. It's 1989's sonic spirit with more lyrical depth, dipping a brush in her newfound solipsism and painting musical murals of Taylor's "13 sleepless nights," scenes of "self-loathing, fantasizing about revenge, wondering what might have been, falling in love, and falling apart" construed in vivid detail. Top that, Shakespeare. "Musically and lyrically, Red resembled a heartbroken person. After a fiery Twitter storm courtesy of Kanye (though it was far from their first feud), Taylor finally sheds her decade-old, good girl persona for the villain alter-ego curated by the media, opting to settle the score through what she does best: traversing new sonic territory. But this is Taylor we're talking about here, and the fact of the matter is, she's at her best at her most singular, when there's zero doubt that anyone but her could have been the creative mind behind the record. October 26, 2022. Like folklore, much of evermore is made up of somber soliloquies that materialize like a fine mist over a field in the dead of winter. On 2012s Red, Swift began her transition from country crossover artist to creating glossy, mainstream pop; on its 2021 re-record we were reminded just what a superb songwriter Swift has always been. Following on from the release of Swift's 10th album 'Midnights', let's take a trip down memory lane and take stock of the superstar's career so far. Her self-titled debut stood as her lone and tall titan at the time of its 2006 release, which was immediately met with commercial and critical success, catapulting a then-16-year-old Swift to stardom almost overnight. "So I just kept writing them.". But over a decade later, Taylor makes the incredible move of re-recording her teenaged relics almost note-for-note, now at 31 years old. If Teardrops on My Guitar from Swifts debut album was her breakthrough song, it was Love Story, the ballad from its follow-up Fearless, that cemented her name in the pop history books. Unlike previous albums, no singles were released before the official album drop, and at 3 a.m. Periodically, Midnights does run into issues of redundancy, which has more to do with Jack Antonoffs deficiencies as a producer than with Swifts skills as a writer and performer. But in the meantime, Midnights remains on repeat with high regard. 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