(LogOut/ Also, I think he had a desire to understand his characters and the reasons of being whothey are. I feel it is hard to say if Watson exploited his subjects, because I dont know whatever deal they probably made behind the screen. I feel he mistakes this forced friendliness by asking more and more personal questions as he continues to film her. Surely, this would mean that his documentary would attract more viewings but at least that would mean that more and more people would learn and be warned about the effects of alcoholism. Alcohol is used as a coping mechanism, to which Watson openly investigated in particular with Vanda. Half a bottle of vodka on the train to work at the age of 17 began Mark's journey into alcoholism. 22/11/06 - 10:57 #8. These cut ins of his soul searching questions illustrate exactly his own empathy towards the subject at hand. High-quality Rain In My Heart Wall Art designed and sold by artists. Once Watson sees this he is distinctively appalled and shocked that Vanda, after promising in a previous shot that she would fight to stay sober in the future, has gone back on her words and is drunk again. It may not be a documentary, but to get at what Im thinking, look at this scene BBC - Rain in My Heart Watch now This powerful documentary from fly-on-the-wall pioneer Paul Watson provides a raw account of four alcohol abusers from the impoverished Medway towns of north. However, we can all agree that sometimes happiness is simply taking a walk or dancing in the rain. This scene is perhaps one of the more uncomfortable in the film as Watson is merely documenting Vandas relapse back to alcohol and the range of mood swings she encounters. Four alcoholics in and out of hospital over a two month period, reality at its most real. However, Watsons humanity and compassion shines through. He is good at capturing facial expressions and touching moments, though he constantly replays repeated footage to create a moment. It followed the treatment of four alcoholics in one NHS hospital in Kent (the only one that would let him in). But for the families and subjects is must be/ must have been a very awkward experience even if they had consented to the film. I personally believe that the word exploit is quite a harsh word to put on the filmmaker without full justification, its made clear that the subjects wanted to be filmed, Watson treats this permission with a good amount of respect both for the subjects and the topic of the documentary whilst at the same time sustaining his role as the stand back and sympathetic-ear presence. I personally feel that Paul Watson did not exploit his subjects in the film. Ive found this good review of the film on the internet: http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1661761/. Rain in my heart; rain on the roof; And memory sleeps beneath the gray And the windless sky and brings no dreams Of any well remembered day. Watson most definitely fulfilled what he set out to do and in order to do that, I feel he had to push the boundary as far as he did to achieve this hard-hitting documentary. Or when Nigel downs a glass of red wine. A good example of his moral doubts is when he asks himself Am I an ambulance chaser? and is a clear way of showing how documentary makers may react with barely contained glee when they get material of extreme situation that can make good TV This attempt to confront the ethical problem of documentary-making did not satisfy me as I couldnt help but feel that Watsons display of concern was more addressing the potential accusations of the audience rather than the problem itself. I would not have the heavens fair, But in saying all this we must remember that all the people in the film agreed to be in the documentary. From a personal level I felt it was very moving and eye opening to me on this subject. Rain In My Heart is a weird documentary to watch for me because it is based very near my hometown. Thus, having the camera in front of them made me feel that there was a sense of pressure on them to fulfil a certain image of an alcoholic. Rain in my Heart was an incredibly touching yet dark documentary about the wide spread issue that is alcoholism, and at points I was touched by the way in which Watson presented his subjects and their problems. To this statement Vanda agrees and understands the relationship between the two of them. When Watson visits Vanda at home we find out that, although Vanda had promised not to drink anymore, she was holding a bottle of vodka. Although this had a huge dramatic effect upon the viewer and it allowed the viewer to analyse the particular situation multiple times, I felt that Paul Watson was portraying them as if they were less in control of what they were saying, almost as if they were crazy. That both are now vulnerable because they/we are putting ourselves forward to talk about something that is often bypassed. The subjects and the families were happy to be filmed and it was unlikely that the film was going to bring more harm than good it was important that he looked at the whole picture and the awareness he could spread with such a film. This was maybe to excuse himself for what he maybe shouldnt have been doing and to tell the viewer that yes he thought it was wrong, but he was doing it for a reason to explore a topic that most people are scared of exploring. Kath now struggles on a severely limited income. It quotes how Vanda told Paul Youre asking me while Im pickled in reference to his questions, as well as youre manipulating me. I feel sympathy towards the subjects because they were, maybe, unsure as to what they had agreed to, and what it involved. Most Popular Now | 56,514 people are reading stories on the site right now. It becomes less objective, and much more personal between him and Vanda. Watson even edits in clips of himself discussing how he felt when seeing his subjects cross back to alcohol, he states I lost that remoteness that I have as a filmmaker I get emotionally involved with people but I manage to stand back and observe and I get a lot of critism for that. Thus creating awareness, insight into the medical world and the rising figures of binge drinking, alcohol abuse and its rippling consequences. Play over 265 million tracks for free on SoundCloud. He just shined a light on a topic a lot of people often avoid. This is a scene which perhaps does challenge the idea of ethics by posing the question of how FAR can we go to observe? I feel as though Watson was trying to be as ethical as possible, baring in mind his need to capture this shocking footage in order to create the Documentary. By going that extra further he creates a relationship with the subjects. One of the patients, a caption told us at the end, was now "in recovery". In one scene we hear Watson as whether or not the information he is receiving from one of the subjects would be appropriate to include in the finished product. Otherwise it would not have been so real and touching and would not have had such an effect on those who watch it. I do agree he is explaining in a graphic way the torment of being addicted to alcohol and the consequences that excessive drinking does to ones body. Check out our rain in my heart selection for the very best in unique or custom, handmade pieces from our shops. Even though there is not exact evidence of Kath saying this to Watson, I believe that if she had thought differently the scene would be cut out since it is such a dramatic and personal event. From a documentarians point of view, Watson did a remarkable job of exploring the brutality of a taboo subject, but from a moral standpoint, the filmmaker may not have been exploitative in his actions but he was definitely extreme. Maybe it could be argued that editing was used too much in this film as it told you how to feel at certain points. That we cant see others be in such a position because we wouldnt want ourselves to be shown in such a state. It is true that his documentary can be judged and considered as an observational one: the filmmaker lets the interviewee talk about his or her problems and express all his or her weaknesses. He would ask the interviewees why theyve relapsed or if they feel disappointed with their failed progress, but depending on the reaction to these questions, Watson would take a step back if he sensed it was in anyway emotionally challenging, until the subject would take control and continue/stop themselves. You can watch a short reminder of their stories via the links below. Watsons interference with the subject is, for the most part, kept to a minimum, although the interviews and conversations he has with the subjects comes across as interrogative at times. Watson stated at the very beginning of the film that he would not intervene in the lives of the people he was filming and would not stop them from drinking if they relapsed. In terms of consent, yes, the subjects were not in a stable state of mind to give fully informed consent, but I think Watson had to work with what he had. It is hard to watch, but becomes even more uncomfortable when Watson interjects right in the middle of someone elses story, such as Mark, to remind the audience of the monsters. During the film one of the subjects Mark says If I am not a advert for not drinking then I dont know what is. Another point in this film is when Paul Watson films a drunk subject who discusses the, monsters in her head, which she previously was not ready to do. Its hard to give a black or white answer of whether or not Paul Watson exploit the subject. Change), You are commenting using your Facebook account. I think that Watson when immersed with these subjects he formed a friendship with, learning to really like some of them and he himself tries to stop some of his subjects from drinking because he wants to see the best happen for them. This bereavement card features rain only over a tree with a figuring sitting beneath it. Voyeurism this is not. No need . I found a video called, Revisiting Rain in My Heart, in which Paul Watson revisits the surviving subjects from the film. At one point it says: This type of documentary is not the best way to explain or explore alcoholisms origins. This sort of fly-on-the-wall documentaries and even reality tv shows have created are becoming more accepting of intruding on other peoples most intimate and private moments. Sometimes grief feels very isolating. About the same age as Vanda, Kath has spent more than a decade caring for an alcoholic. This is a bit more than just explaining the distress the subjects are going through. Rain in my Heart TV Movie 2006 1 h 40 m IMDb RATING 7.6 /10 105 YOUR RATING Rate Documentary Documentary on four alcoholics living in Kent, England. I think the problems of ethics in filmmaking cannot be solved. Two of the participants in Paul Watson's Rain in My Heart died during filming. However, that would ruin his fly on the wall style of filmmaking. The seriousness of the topic in the documentary is emphasised through the filmmakers intimacy and relationship with the subjects. For before the revealing of the alcohol, Watson greets Vanda by pecking her on the mouth and cheek. Hes film is an observational style and he stand back from the nature, but he needed to concern how he react when he encounter with ethincal problem. I do not think Paul Watson was exploitave in his filming. Frank SinatraCycles 1968 Frank Sinatra Enterprises, LLCReleased on: 1990-01-01Producer: Don C. She was healing. Watsons past experience in using the observational documentary style in his films means that he is well adjusted to the style. No one feels comfortable at the hospital anyway without a camera crew to be there watching your pain and destruction (essentially). We follow Nigel and his supportive wife Claire as they spend their final weeks together. https://www.youtube.com/watch?v=jjy8Z1hK2wY fromSchindlers List, Set to music, shot in thegorgeous shadows of black and white, and perfect balanced frames. At no point during the documentary did I feel that the filmmaker was exploiting the subjects, the recording of what can be described as personal and intimate situations felt more like a significant necessity with moral intentions towards bringing awareness towards the seriousness of the consumption of alcohol. Paul Watson has none of this. http://www.theguardian.com/media/2006/nov/20/mondaymediasection4. The veins in her legs have contracted because of alcohol, making walking difficult. I think that Rain in my Heart was a very interesting documentary to watch and posed many questions about the ethics of documentary filmmaking. This powerful documentary from fly-on-the-wall pioneer Paul Watson follows four alcohol abusers over the course of a year. And it tells us a lot; it is educational, eye opening and informative. We ask a lot of our hunters as many times we will pass 200 inch deer to pursue true giant deer. Because I think it break the engagement of the audience. Paul Watsons attempt to defend himself and his arguments against the accusations do make sense. 56,514 people are reading stories on the site right now. Tonis most exploitative scene, as I believe, is when she is shown unconscious a few days before her death. But Ive never felt like Watson exploited his subjects. Perhaps the strong emotional shocked felt from watching it is more to do with fearing our own mortality. Now, with Rain in my Heart, Watson has made the documentary equivalent to The Lost Weekend(1945), the classic feature film about alcoholism, where a writer loses everything through drinking and ends up on a psychiatric ward. I think the fact that this documentary is so hard to watch gives light to the reality that alcoholism is incredibly hard to live with, and by being so thorough the film shortens the gap between subject and audience. I want to quickly point out that, I didnt like the parts in the film where he became the self-reflexive type and centered the documentary on his own emotional state. The card is easy to customize with your wording, font, font color, paper shape options and choice of six paper types. It was graphic, saddening and an uncomfortable viewing but I was overwhelmed by its message. When watching the film, there various moments where I felt Paul Watson over stepped the mark, and exploited his subjects. Rain is a natural phenomenon that has extreme importance in human society. 'Rain In My Heart', was a very touching and eye opening film. He made it clear through out the film that he was never sure whether he should be filming his subjects or whether he should, at some points, be turning the camera off. When watching Rain in my Heart I felt that to say Paul Watson exploited his subjects is unfair. I think this leads them to be manipulated easily. Their addiction affected them not only when they were drunk, but physically as well as mentally, when they were sober too. And it is also a good example to discuss the ethical issues in the documentary. The subject is not exploited as she has consented Watson to film her in her most tragic state and all of this psychological revealing is not only for Watsons own good but for the audience as they are being warned off the overuse of alcohol. Several times in the documentary we see him struggle to make decisions on how he will proceed with the footage he has. This is also made clear later in the film when he spends some time filming at one of the female patients, Vandas house. Documentary, TV Movie. such as askingcan we enter the subjects house? It is a difficult film to watch because of the subject matter it deals with. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); http://www.theguardian.com/media/organgrinder/2006/nov/05/sheffielddocfestaredocument, http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1661761/, https://www.youtube.com/watch?v=jjy8Z1hK2wY, http://www.newyorker.com/culture/richard-brody/taking-it-off-for-the-holocaust, https://www.youtube.com/watch?v=2LuFOX0Sy_o. With a limited number of options given that he had great difficulty finding a location and subjects to film it was essential that Watson was able to capture the gritty reality of alcoholism and addiction in a way that will haunt the audience for some time. There is one point I dont like about Watsons technique. He explains himself, he is aware of what he is critised for, but overall has achieved an importantly informative film about alcohol and its effects. If Watson couldnt do that, it wouldve been a pointless project. However, i was impressed by this documentary. I felt that he definitely uses their trust, but in a good way, he seemed to be a friend for most of them and wanted to change or improve their lives. A prime example of exploitation was the most vulnerable and interesting subject-Vanda. I feel that Paul Watson did exploit his subjects to some extent. Just finished it and I wonder what happened to Mark and Vanda. An example of this is when Paul W asked Vanda whether she was telling the truth about being abused as a child. However, from what I saw in the film, Watson does take advantages on his subjects. Ive found this good review of the alcohol, making walking difficult wouldnt... For before the revealing of the subject at hand his own empathy the... 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