Ladies and gentlemen Mr. Tito Merelli killed himself this afternoon, thereby depriving many ofa great pleasure. Lynn Zimmerman's Maggie is adept at being both demure and lusty. This article is about the play. Saunders is furious. Join StageAgent today and unlock amazing theatre resources and opportunities. However, we have dozens of other monologues that you can read. Skip the announcement, stick a note in the programme The role of Otello will be sung by Albert Rupp. And then if there is anyone still in the audience when he takes his bow, they can stone him to death? Joyce Luy, as the flamboyant Maria, who makes every entrance and exit memorable with her body moves and stunning red gown, brings the house down whenever she opens her mouth. However, we have dozens of other monologues that you can read. Maggie realizes that not only was Max the "Tito" that she made love to, he was also the "Tito" who sang so passionately in tonight's opera performance. "I hope this is helpful. Seeking 2 Actor Team for Spring Then Saunders gets a phone call, telling him that the police are downstairs in the lobby. Power your marketing strategy with perfectly branded videos to drive better ROI. Inspire employees with compelling live and on-demand video experiences. I suppose we'd better go. Each year, League members bring Broadway to more than 30 million people in New York and more than 200 cities across the U.S. and Canada. A few seconds later, Tito Merelli returns to the hotel suite, also dressed as Othello, in a costume, wig, and blackface makeup. Directed by Stanley Tucci, the cast starred Anthony LaPaglia (Tito Merelli), Jay Klaitz (Frank the Bellhop), Justin Bartha (Max), Jan Maxwell (Maria), Mary Catherine Garrison (Maggie), Jennifer Laura Thompson (Diana), and husband and wife couple Tony Shalhoub (Saunders) and Brooke Adams (Julia). Max succeeds admirably, but Morelli comes to and gets into his other costume ready to perform. The ultimate operatic experience! Monologue from Lend Me a Tenor - YouTube Leigh Anne Hamlin performs one of Maggie's monologues from the play "Lend Me a Tenor" by Ken Ludwig. Lend Me a Tenor Play Writers: Ken Ludwig Monologues Sorry! Click the start the download. character breakdowns, auditions, monologues and more! Sign up today to unlock amazing theatre resources and opportunities. The good-natured Tito encourages the inhibited Max to pursue his operatic ambitions, even offering vocal tips as the two break into a duet, the aria "Do,che nell'alma infondere" from Verdi's "Don Carlo.". MAX, his assistant, suggests that the performance go on as scheduled, with the understudy playing the starring role instead. Much later (Scene II), Max is unable to wake Tito from his nap. Sign up today to unlock amazing theatre resources and opportunities. The pacing is so fast and the lines so similar, that it's difficult to get the right words out at the right time.". "Evey lead must be strong," said the Ellicott City resident. "We look for comedies that are fast-moving and designed for good opportunities to laugh. Brooke Adams. A surprise Curtain Call pushes it even further over the edge leaving both cast and audience fatigued from laughter. Search all monologues from plays. library of free monologues. Tito and Maria leave together, while Saunders accompanies Diana to a downstairs reception. [a] It's the biggest event in the Cleveland Opera's history. Make Salome look like The Merry Widow!To ask Ken a question, click here. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall The title is a pun on "Lend me a tenner" (i.e., a ten-dollar bill). As is typical of farces, mistaken identities and double entendres reign until everything resolves happily. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall It received nine Tony Awardnominations and won for Best Actor (Philip Bosco) and Best Director (Jerry Zaks). It was universally acknowledged that he sang like a angel, but apparently he wanted to prove it. Lusty women in hotel rooms, crazed fans, drinking, drugs and suicide attempts -- it's tough to be an opera singer. Description Lend Me A Tenor Act I Account 157.55.39.99. Auditioners for the roles of Max, Tito and Bellhop will be asked to sing from music sides. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. New York, NY, Linda Ray A rehearsal schedule will be available IBDB also offers historical information about theatres and various statistics and fun facts related to Broadway. Take a look at our library of free monologues . Wearing Tito's costume and makeup, Max will star in the opera performance. They're sending two of their men over to keep an eye out. "It requires more energy than anything else. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. Saunders' timid, bespectacled assistant, Max, who secretely aspires to be an opera singer, tries to comfort Saunders in his unassuring nasal voice. A musical inside a musical will unfold at Southern Illinois University Edwardsville when. A Broadway revival opened in 2010. As the curtain falls on Act One, Saunders and Max leave for the performance, just as Tito wakes up in the bedroom. Alas, Tito arrives late, his tempestuous wife Maria has a fit of jealousy, and it remains to be seen whether Saunders' mousy but determined . Show Dates: Performances: Mar 6-8, 13-15, 20-21 Friday/Saturday Performances 8pm, Sunday Matinee 2pm LEND ME A TENOR is presented by special arrangement with Samuel French General Information Important: Bring a list of ALL conflicts with you. The opera performance will have to be cancelled, and the audience will demand their money back. We will place the best person for those roles, whether they sing or not. Here are a few of my favorite speeches from those plays:From Hamlet: Act II Sc 2: "Oh what a rouge and peasant slave am I!" She has a great admiration for Tito. Audition Packets are available on the website. During Max's performance, the "lunatic" tried to force his way into the opera house, hit a policeman who tried to stop him, and ran away. On this Wikipedia the language links are at the top of the page across from the article title. from The angst-free farce "Lend Me A Tenor" was written by Washington attorney Ken Ludwig and produced in 1989 by Andrew Lloyd Webber. After a huge fight with his fiery, Italian wife Maria, Tito receives a double dose of tranquilizers through a series of mishaps. This is ""Lend Me a Tenor" monologue (Maggie)" by Jillian Vitko on Vimeo, the home for high quality videos and the people who love them. It was directed by Larry Carpenter. Gender: Female. Lend Me A Tenor will be directed by Wade Willis. The audience will never know that it is not Tito Merelli, and they can announce Tito's death tomorrow morning. Lend Me A Tenor is set in September 1934. By the time we reach the endwellits not over. From Leading Ladies, I'd suggest Doc Meyer's monologue at the beginning of the Act I, Scene 2 (page 11-12 of the Samuel French edition);3. Still wearing his Othello costume, Max leaves the hotel suite and runs to find Saunders. The show opens in 1934 on an elegant Cleveland hotel suite as Henry Saunders, the manager of the local opera company, ascends into hysteria. Leigh Anne Hamlin performs one of. Our 700-plus members include theatre owners and operators, producers, presenters, and general managers in North American cities, as well as suppliers of goods and services to the commercial theatre industry. Possum Point Players, Tech Crew at A few brief words, nothing elaborate. "From Midsummer I'd look at Oberon's monologue from Act II, Scene 1, "My gentle Puck, come hither" or from Act IV, Scene 1, Nick Bottom's monologue that begins, "I have had a most rare vision"From As you Like It, Act II, Scene 1, there's the Duke's speech that begins, "Now, my co-mates and brothers in exile"And of course, everyone's favorite, "Our revels now are ended" from the Tempest, Act IV, Scene 1.If you're looking specifically for tragedy, you might look at Hamlet or Macbeth. The 21-year-old company's other productions include "Cafe Theater," opening in March, and Carl Reiner's "Enter Laughing," slated for May. IBDB provides records of productions from the beginnings of New York theatre until today. While Maria pouts in the bedroom, Tito joins Max in the living room, but not before accidentally overdosing on sedatives. The first review, in the NH Derry News, called it "one of the most brilliant and inspired new comedies this year. The star arrives late and, through a hilarious series of mishaps, is given a . "Men are hard to get in community theater and here are three demanding roles. The Broadway League is the national trade association for the Broadway industry. It received nine Tony Award nominations and won for Best Actor (Philip Bosco) and Best Director (Jerry Zaks). They'll start arriving any minute now. "[1] The English director David Gilmore read it and asked to direct; Andrew Lloyd Webber was the producer. and Act I, Scene 2: "Oh that this too too solid flesh would melt"And from Macbeth, I'd look at Act II Scene 1: "Is this a dagger which I see before me? Gender: Female. Saunders has charged Max with seeing to Merelli's needs, and with getting Merelli to the opera house in time for the performance. I can't open sardines and answer the phone. Together, Max and Saunders find a way to save the Opera Companys big night in grand, farcical fashion. At the end of the play, things are sorted out. Research Playwrights, Librettists, Composers and Lyricists. Mary Catherine Garrison. In the sitting room, Max gives Tito a tranquilizer-laced drink, trying to calm him down before the performance. Gain full access to show guides, character breakdowns, auditions, monologues and more! The aria becomes background music for the action happening on the other side of the stage when Maria finds Maggie in the closet. MUSIC BY BRAD CARROLL BOOK/LYRICS BY PETER SHAM. The winner of two Tony Awards and four Drama Desk Awards has. Monologues for Women; Comedic; . When she finds Maggie hiding in the bedroom closet, trying to get Tito's autograph, Maria angrily assumes that Maggie is Tito's secret lover. Research Playwrights, Librettists, Composers and Lyricists. Merelli is coming to Cleveland to sing the lead role in a performance of Giuseppe Verdi's Otello. Build a site and generate income from purchases, subscriptions, and courses. Both are from Act II, Scene 3: The first one is at the beginning of the act and begins, "I do much wonder that one man" and the second one is towards the end of Act II and begins, "This can be no trick"From Henry IV, Part 1, I'd suggest Falstaff's speech in Act II, Scene 4, that begins, "If sack and sugar be a fault, God help the wicked. IBDB (Internet Broadway Database) archive is the official database for Broadway theatre information. temporary. I've included this monologue below, since it requires putting three speeches together.2. SAUNDERSWell, I guess that wraps it up. It starts spinning early in the show and just never stops. "The role doesn't require the character study that more serious shows do," said the Ellicott City attorney who was a county prosecutor until last year. Part Size: Lead. Please enable JavaScript to experience Vimeo in all of its glory. And from Shakespeare in Hollywood, I would suggest the short monologue by the character Max Reinhardt in Act I, Scene I, page 17 of the Samuel French edition.As for monologues from other sources, I couldn't tell from your email if you were looking for specifically comic pieces, so I've included a range of my favorite monologues from Shakespeare's plays:From Much Ado About Nothing, there are two great monologues by Benedick. Sign up today to unlock amazing theatre resources and opportunities. "We made a conscious decision to stay away from theater that's thought-provoking and asks serious questions," said Steve Moore, president of CCP. Take a look at our Join StageAgent today and unlock amazing theatre resources and opportunities. They are looking for "a lunatic dressed as Othello, who thinks he's Tito Merelli." "Then there is the singing. New York, NY, Linda Ray AUDITION REQUIREMENTS: Please bring a current headshot & resume. Maggie: 20-29. a classic 1930s ingnue, in love with Max, who . The star arrives late and, through a hilarious series of mishaps, is given a double dose of tranquilizers and passes out. Saunders and Max try to block assorted groupies, including an ** opera-singing bellhop, the ambitious opera singer Diana, opera guild president Julia Leverett and Saunders' daughter, Maggie. Use the understudy? Sign up today to unlock amazing theatre resources and opportunities. When Saunders arrives, Max tearfully tells him that Tito is dead. The show, launching the Columbia Community Players (CCP) third all-comedy season, will be presented at 8 p.m. today and tomorrow, and Nov. 4 and 5 at Slayton House in Columbia. Maggie's father, GM of The Cleveland Grand Opera Company. I- I could tell him that you're looking for him. Henry Saunders -- General Manager of the company -- is beyond stressed about everything turning out right, and insists that his assistant, Max -- a nervous, young fellow and secret tenor extraordinaire -- watch over Titos every move to ensure smooth sailing. Now two clowns are running around in costume and two women are running around in lingerie, each thinking she is with Il Stupendo. Portrayals Overview; Characters; Videos; Monologues; Scenes; . "We had to make it look smooth and natural when, in fact, it was highly choreographed," Ms. Romaine said. Information: 381-4864. He is nervously waiting for the very late Italian opera superstar, Tito Merelli, who is scheduled to sing Verdi's "Otello" for the company's 10th anniversary celebration that evening. Thanks so much for writing and all the best for your future in acting!Regards,KenFrom Ken Ludwigs Lend Me A Tenor, Act I, Scene 2:SAUNDERS has just discovered that world-famous opera star, Tito Merell, whom patrons of Cleveland Grand Opera have paid large sums of money see perform the role of Otello that evening, is either unconscious or dead. Lend Me a Tenor guide sections. At that moment, the handsome, charismatic and heavily accented "Il Stupendo" makes a dramatic entrance with his equally dramatic, hot-tempered wife, Maria. The play's split set and split-second timing offered several challenges for Ms. Romaine. Maria returns to the hotel and makes up with the bewildered Tito, while Max manages to step into the bathroom long enough to change out of his Othello costume and wig, and emerge as himself. . Yes, that's five doors on the stage of the Music Box Theater, where a revival of Ken Ludwig's "Lend Me a Tenor" opened Sunday night. Maggie, who is her unsure of her feelings for the suave-less Max, whom she has dated for years, tries to get her hands on the hot-blooded Il Stupendo by hiding in his bedroom closet. Saunders' harried assistant, Max, is also in the hotel suite. Audition Packets are available on the website. Group rates are available. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall The play was first presented in New York City on March 2, 1989 at the Royale Theater by Martin Starger and The Really Useful Theater Company with the following cast: MAX - Victor Garber; MAGGIE - J. Smith-Cameron; SAUNDERS - Philip Bosco; TITO - Ron Holgate; MARIA - Tovah Feldshuh; BELLHOP - Jeff Brooks; DIANA - Caroline Lagerfelt; JULIA - Jane Connell, Directed by Jerry Zaks; Set Design by Tony Walton; Costume Design by William Ivey Long; Lighting by Paul Gallo; Sound Design by Aural Fixation.
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